CARA JUDEA ALHADEFF
www.carajudea.com
photo@carajudea.com
EDUCATION:
| 2008-2010 | European Graduate Studies (EGS), MA and PhD in Media Communications (in progress) |
| 1993-1995 | Pennsylvania State University (PSU) Bachelor of Philosophy degree with honors in Corporeal Politics (self-designed interdisciplinary major) minor in Photography Summa cum laude |
| 1990-1992 | Sarah Lawrence College (SLC), NY |
COLLECTIONS
| SFMoMA - |
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| The Kinsey Institute for Research in Sex, Gender, and Reproduction, IN | |
| Private Collections throughout Europe, North America, and |
SOLO EXHIBITIONS:
| 2008 | Headers, Zang Jianyong
w/ The Offspring Project Project Room, Rohrer Fine Art, |
| The Gestation Project, Lyon Photo
Bienniel Represented by Le Bleu du Ciel, Michel Poivet & Gilles Verneret, Lyon, France |
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| In-sight Yerba Buena Center for the Arts Theater, San Francisco |
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| The Alchemy of Intimacy Gallery Ssamzie, Seoul, South Korea |
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| 2005 | Captive Nomads Van Campen & Rochtus Gallery, Antwerp, Belgium |
| 2004 | From There to Here – Captive Nomads |
| 2003 | Thicker than Water Flatfile Photography Gallery, |
| 1998 | Matter Adheres to Matter |
| 1997 | Viscous Expectations SF Art Commission, City Hall, |
GROUP EXHIBITIONS:
| 2008 | Berliner Liste: International Art Fair Represented by Gallery Lumiere (S. Korea), |
| Introductions Alicia and Cooper Johnson, |
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| Visualizing the Animal |
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| 2006 | Jack the Pelican Presents, |
| 2005 | Chanel /SFMoMA Contemporary Extension Event sponsored by Vanity Fair, SF |
| Kunst 05 Zurich,International Art
Fair Represented by Jack the Pelican Gallery, New York |
|
| Art Basel/Miami,
International Art Fair Represented by Jack the Pelican Gallery, New York |
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| Photo New York Represented by Jack the Pelican Gallery, New York |
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| Photo Lisboa Represented by Voyeur Project View, Portugal |
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| New Photography SFMoMA’s Artists’ Gallery, |
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| Artist as Traveler Cork County, Ireland |
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| 2004 | Photo
Represented by Freddie Fong Gallery, |
| Pierogi Gallery |
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| 2002 | Blood Show Quotidian Gallery, |
| Picturing Modernity: Photographs from the
Permanent Collection |
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| Politically Incorrect Flatfile Photography Gallery, |
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| 2001 | Botanica: The Flatfile Photography Gallery, |
| Poor Walls Quotidian Gallery, |
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| 1999 | Wall to Wall Nudes |
| 1998 | Face Queer Cultural Center, |
| Queer and Kinky Danger Gay and Lesbian Historical Society, |
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| Troubling Customs |
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| Annual Members’ Exhibition |
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| 1997 | Generations |
Juried by Starn Twins, |
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| 1996 | Art of the State The State |
| A Woman’s View Painted Bride Gallery, |
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| Photography ‘96 |
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| 1995 | Not the Same Old Photo Show |
| Body of Evidence: The Figure in
Contemporary Photography |
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| International Exhibition of Erotic Art Griffin Gallery, |
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| 1992 | Wall of Portraits of Women by Women |
| Undressing Our Wholeness: A Celebration of
Women's Art |
PERFORMANCES
| 2006 | Live Pregnant Women/Memory Miner Collaboration with composer Ben Bolter for MAC computer program, The Supperclub, |
| Bay Area Now: In-Sight Collaboration with Kunst-Stoff Dance Company (photographs projected onto sculptural and dancers’ bodies’ surfaces), Yerba Buena Center for the Arts |
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| 2005 | In-Sight Southern Theater, Minneapolis Oberlin Dance Company (ODC), San Francisco |
| 2004 | In-Sight Collaboration with Kunst-Stoff Dance Company (photographs projected onto sculptural and dancers’ bodies’ surfaces), ODC Theater, San Francisco |
| 2002 | Up to Code ODC Theater, |
| 2001 | Tongue and Trigger |
| 1999 | The Beauty of Disorder Highlight of Women’s Work, Venue 9, |
| Gravity Sag Women’s Work Series, Venue 9, San Francisco Meet the Beat, The Luggage Store, San Francisco Salon 455A, Studio Valencia, San Francisco |
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| 1997 | Corporeal Politics |
| 1995 | Torrid Zones |
PUBLIC LECTURES:
| 2008 | |
| 2007 | The
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| Pratt Institute of Art, Body Awareness
and Creativity Workshops, |
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| The
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| College Art Association Conference,
Immigrant Women and their Artist Daughters,
|
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| 2006 | Contemporary Museum of Art, |
| Gallery Ssamzie, Visiting Artist
Lecturer and Photography Workshops, |
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| 2005 | |
| 2001 | UC Berkeley, Visiting Artist Lecturer, Still Life: The Immobile Object |
| 1997 | San Francisco Art Commission, City Hall, Visiting Artist Lecturer, Viscous Expectations |
| 1994 | |
| National Association for Ethnic Studies and |
|
| 1992 | |
BIBLIOGRAPHY
| 2007 | WPSU, Pennsylvania InsideOut, Public Television interview, Patty Satalia, September |
| 2006 | Metro International, La Grossesse Mise a Nu, Laeitia Mazzilli, September, Lyon, France |
| Le Progres, Nus hors d’enceintes: Les Photos de Cara Judea Alhadeff, September, Lyon, France | |
| Le Progres, L’image de jour par Cara Judea Alhadeff, September, Lyon, France | |
| Metro International, Jean Emmanuel de Nave, September, Lyon, France | |
| Travel and Leisure,
The Alchemy of Intimacy, April, |
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| Wolgan Misool,
Sight and issue, April, |
|
| Korea Herald,
Alhadeff's photographs unveil tension between
what is seen as natural and as synthetic, Shin
Hae-In, April, |
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| Herald Media,
The Alchemy of Intimacy, YRLee,
April, |
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| Chosun Ilbo,
The Alchemy of Intimacy, April, |
|
| Photo-Net, Ohmynews.com, and
Newsis, The Alchemy of Intimacy, April, |
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| YTN, Cable Television News,
The Alchemy of Intimacy,
April, |
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| 2005 | Society Pages, The |
| FOTO+, Filip Naudts, |
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| 2004 | FotoForum, SFMOMA, Meet Cara Judea Alhadeff, An Emerging Artist in the SFMOMA Collection, Terri Whitlock, Fall/Winter |
| Yearbook, My Secret
Eye,Gehrke Verlag, |
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| San Francisco Chronicle, Art and Opposition, Rachel Howard, May | |
| Flow, Anne L. Francis, Fast Back Books | |
| Best of the Bay, Bay Guardian,
Signs and spaces, |
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| Hamburg: Pur, Art on the Milkyway, Neu: Galerie Durchgang, April, Germany | |
| Szene Hamburg, Von Dort Nach Hier, April, Germany | |
| 2003 | |
| Documentary Film , Cara Judea Alhadeff: Photographer Yoga Teacher, Aoi Tabata | |
| 2002 | TV de Werld, Runway: Photographer Cara Judea Alhadeff, Feature Profile on European Television |
| Public Broadcasting, French-American Television: The Art of Cara Judea Alhadeff | |
| 2000 | SF Weekly, Here Kitty, Kitty, February |
| San Francisco Bay Guardian, Critic’s Choice: art, February | |
| citysearch7.com, Emotionally Annoyed, Editorial Profile, January | |
| 1999 | New Art Examiner, Varieties of Naked Experience: Particulars of the Human Body in Recent Art, Tom Csaszar, October |
| New Art Examiner, March | |
| 1997 | SF Chronicle, For Art’s Sake, Matier and Ross, November |
| 1996 | Calyx: A Journal of Art and Literature by Women, Negotiating the Discursive Body |
| 1995 | Happenings, Intelligencer Journal, Definitely Not the Same Old Photo Show, November |
| Daily Collegian, Student, like the masters, must face censorship, January | |
| Voices of |
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| Daily Collegian, June, October | |
| Artsave/People for the |
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| Voices, January, February, October | |
| Daily Collegian, Artist Tests Community’s Limits, January, September, October | |
| The
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| Artsword, vol. 3, No. 1: spring issue | |
| The
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| The Plain Dealer, Bodies real and surreal, warts and all, Steven Litt, October | |
| Intelligencer Journal, Happenings, November | |
| 1994 | Voices of |
| 1992 | The New York Times, P.S. 30’s Helping Hands: College Mentors, Penny Singer, May |
GRANTS AND AWARDS
| 2008 | Fundacion Valparaiso, One month residency, Playa |
| 2001 | |
| 1998 | Award of Excellence, |
| 1995 | First Prize National Association for Ethnic Studies, Student Research Competition |
| Honors medal for highest distinction, PSU | |
| First Prize Photograph, International Exhibition of Erotic
Art, Griffin Gallery, |
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| Outstanding Undergraduate Student Award in Women's Studies Program, PSU | |
| Honorable Mention, Zoller Gallery Undergraduate Juried Exhibition, PSU | |
| 1993 | Honorable Mention, Zoller Gallery Undergraduate Juried Exhibition, PSU |